Ganesha has actually been represented with the head of an elephant considering that the early phases of his appearance in Indian art. Puranic myths supply lots of explanations for how he got his elephant head.
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One of his popular kinds, Heramba-Ganapati, has 5 elephant heads, and other less-common variations in the variety of heads are known. While some texts say that Ganesha was born with an elephant head, he gets the head later on in the majority of stories. [44] The most reoccurring concept in these stories is that Ganesha was developed by Parvati using clay to safeguard her and Shiva beheaded him when Ganesha came between Shiva and Parvati. Shiva then changed Ganesha’s original head with that of an elephant. Information of the fight and where the replacement head came from vary from source to source. Another story says that Ganesha was developed directly by Shiva’s laughter. Due to the fact that Shiva thought about Ganesha too alluring, he gave him the head of an elephant and a protruding belly.
Ganesha’s earliest name was Ekadanta (One Tusked), referring to his single whole tusk, the other being broken. Some of the earliest photos of Ganesha show him holding his busted tusk. The importance of this distinguishing characteristic is reflected in the Mudgala Purana, which states that the name of Ganesha’s second version is Ekadanta. Ganesha’s protruding belly appears as a distinctive quality in his earliest statuary, which dates to the Gupta duration (4th to 6th centuries). This feature is so essential that, according to the Mudgala Purana, 2 various versions of Ganesha use names based on it: Lambodara (Pot Belly, or, actually, Hanging Belly) and Mahodara (Great Belly). Both names are Sanskrit compounds explaining his belly. The Brahmanda Purana states that Ganesha has the name Lambodara since all the universes (i.e., cosmic eggs) of the past, present, and future are present in him. The variety of Ganesha’s arms varies; his best-known kinds have in between two and sixteen arms. Many depictions of Ganesha feature four arms, which is discussed in Puranic sources and codified as a basic type in some iconographic texts. His earliest images had 2 arms. Kinds with 14 and 20 arms appeared in Central India throughout the 9th and the 10th centuries. The snake is a typical function in Ganesha iconography and appears in many kinds. According to the Ganesha Purana, Ganesha wrapped the snake Vasuki around his neck. Other representations of snakes consist of use as a sacred thread covered around the stomach as a belt, held in a hand, coiled at the ankles, or as a throne. Upon Ganesha’s forehead may be a third eye or the Shaivite sectarian mark (IAST: tilaka), which consists of three horizontal lines. The Ganesha Purana prescribes a tilaka mark along with a crescent moon on the forehead. A distinct form of Ganesha called Bhalachandra (“Moon on the Forehead”) consists of that iconographic element. Ganesha is typically referred to as red in color. Specific colors are connected with certain forms. Numerous examples of color associations with certain meditation types are prescribed in the Sritattvanidhi, a writing on Hindu iconography. For instance, white is associated with his representations as Heramba-Ganapati and Rina-Mochana-Ganapati (Ganapati Who Releases from Bondage). [68] Ekadanta-Ganapati is visualized as blue during meditation because type.
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